Animal Farm: Viva la Dystopia
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.

Ep 1. Jung-ho and So-yeon, a cohabiting couple in their 40s, previously agreed not to have children. However, Jung-ho demands a child, using his mother as an excuse. So-yeon, an unknown actress, feels deeply betrayed, and in that moment, her body turns transparent before his eyes. Ep 2. Pursued by a mysterious floating knife, In-cheol lives with his son, Jin-woo, following a business failure and divorce. Jin-woo abandons his dreams and breaks up with his girlfriend. After they argue and blame each other, Jin-woo leaves home. The knife chasing In-cheol finally locates their house. Ep 3. A year later, Jung-ho struggles with his failing restaurant afloat, while Jin-woo wanders without a home. Jin-woo earns, borrows, and even extracts money from Jung-ho. As they clash, Jung-ho finds it increasingly impossible to understand who Jin-woo truly is.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.