What Does a Sympathetic Portrayal of Sexual Assault on Screen Look Like?
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.

The film is about the life of a bandit. Ismail, who is a bandit with his gang, falls in love with Fatma, whom he sees during a robbery, and keeps her in the mountains. One day, Ismail and his gang are caught by the gendarmerie and sent to prison. However, they are released after a while due to an amnesty. Ismail no longer wants to be a bandit in the mountains. He moves to Istanbul with his wife Fatma and his men and starts a business. However, Ismail, who has started a new life in Istanbul, will become involved in crime through his business dealings.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
There is no aspect of this film that falls short, except perhaps in minor ways.
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