It Goes all the Way to the Top: Motherless Brooklyn
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

The water sports fans of a cooperative on the coast finally want to acquire a seaworthy sailing ship. But at the board they encounter deaf ears. Only the chief accountant Irma shows interest in sailing and especially the leisure captain named Ali. Then a minister surprisingly his visit. Irma devises a plan to support the sailors. In order to vote the Minister benevolently, flights, a company sports community should be launched. The founding of a sailing section would be just right. But unfortunately, the Chairman Scheffel continues to be cross. He even wants to use the storage space of the sailors. Only when the minister finds pleasure in the spontaneously organised sailing trip for him, movement comes into the affair.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
A young girl who is determined to sail the ocean within 210 days at sea brings an adventurous story for viewers.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.