EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Three IDF soldiers on a routine patrol in the early 1980s in occupied Hebron.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
This article will cover why this film is categorized as a documentary and concert film.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.