Southern Winds 

The Night Doctor achieves telling an original story in which the pace accelerates progressively while supported by dark aesthetics.

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.

'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.

One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.