'The Hunger Games: The Ballad of Songbirds and Snakes'
The enthralling prequel and 5th installment in 'The Hunger Games' film franchise.

A lonesome car. The wind is whistling. A door of an undefined building opens—is it a holiday bungalow, a shed or a ruin? A woman is standing at the window. The heat of an idle day of holiday, perhaps. The South, a place of longing.
The enthralling prequel and 5th installment in 'The Hunger Games' film franchise.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.