What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

A girl, on a summer's day, by the sea. Her father is troubled by his seductive sister-in-law under her eyes. Shel is too small to say, but she is not too small to see and understand.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.