A Killer's Hold on a City in 'Boston Strangler'
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.

In an old abandoned restaurant, a man emerges from the yellowish light sconces. A usual lonely night. While he is playing mechanically with his pasta soup, a woman enters, running away from the storm. The man, confused in front of this apparition, is looking for a solution with his nose in his soup. His pasta soup is answering him. 'Soup' is the suspended time, the side comment thanks to the rain, that shows how a man can deal with the opportunity to change his life.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
For football fans, this sports movie will show viewers the bonding between father and son as the son prepares for his big game.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.