
Umi’s hearing is so sensitive that even notes played slightly out-of-tune give her a headache. Violinist Yuko arrives from Tokyo to play a concert on Umi’s small island near Okinawa, and gradually befriends the girl. Both struggle with friendships and family relationships, but are brought together by music.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.