Set in 1998, an activist got arrested and tortured by a group of unknown people.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
How do zombie films shine new light in the post-Covid and post-Brexit era?
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'
