As Jakarta sinks and sea levels rise, Indonesia is moving its capital to Borneo, on the traditional land of the indigenous Balik people. Abidin, a Balik elder, is documenting his forest’s soundscape with the help of scientists to preserve ancestral knowledge – before it’s too late.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
The Olivia Wilde renaissance is upon us.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.
