“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

Eric Fane (Richard Barthelmess) is a composer unwilling to compromise his dream for a steady job back home in the United States. After his studies in Italy, he moves to Paris, where he is forced to write popular songs for money when he stops receiving support from his father. He tires of selling out and, after an encounter with the mob, starts to travel. He begins a madcap journey from Paris to Port Said, Egypt, and to the South Seas, where he believes he has found love with Teita (Bessie Love).
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
David Fincher is back in his playpen, with a dark and chilling thriller.
The development of existing characters and the addition of some new ones have surely placed 'Ted Lasso' on some sort of an Incluvie A-OK list.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.