Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

Yanti, has to deal with major changes when her parents divorce. Yanti chooses to live with her mother, but a shock awaits her when her mother is remarried to Bambang, a man whose character is far from the image of a father. She does not feel easy at home, loses her motivation to go to school, prefers to hang out with her friends and gives her virginity to her boyfriend, Frans. When Bambang tries to rape her, she runs away from home and stays with Frans. But it doesn’t last long since the widow who supports Frans gets out of jail. So Yanti goes to her old friend, Irma, and becomes a bartender of a brothel in Tandes. One day, her stepfather comes to the brothel and sees Yanti. Yanti avoids him by leaving with one of the guests from the bar. Then Frans comes to take her out of the place. But Bambang confronts Frans so Yanti takes a knife and stabs Bambang. Yanti goes to jail but she gets married inside the prison.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
This fantasy movie released on Disney+ has strong topics and themes related to magic.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.