Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

The film, a nostalgic fantasy documentary, depicts in six episodes a family story in Bobbio between 1999 and 2008. We discover the 5 years-old Elena being brought up by her aunts (Marco Bellocchio's sisters) because her mother Sara is trying to succeed as an actress in Milan. Her uncle Giorgio has a difficult relationship with his sister and judges her for not taking care of her daughter. But as soon as Sara can afford it, she offers to take Elena with her, leaving the village and her aunts, perhaps for ever - while Giorgio, up to his eyeballs in debt, takes refuge in Bobbio. His sister will help him and sell a house.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.