“Driveways” Review
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

Anja lives with her parents in a small town somewhere in Germany. She is about to graduate, but the weekend is usually celebrated. When Anja runs home from a party one morning, she is hit by a car on the highway. Apparently not much has happened. After the first shock has subsided, everyone is relieved that the accident has gone so smoothly. First. But it is becoming increasingly clear that Anja is no longer the same. She sleeps badly, suffers from panic attacks and delusions. It's as if she's been followed by gloomy shadows since that party night.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
A family drama is woven with quiet yet powerful forces of words and nature.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.