Indie Film "Where There is Love, There is No Darkness" Shines
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.

Migrant and aspiring actress Thooya navigates Mumbai by leveraging beauty and wit, occasionally trading intimacy for opportunity. When she sublets her sugar daddy’s upscale apartment to Swetha, a fellow migrant working a corporate job, the two women from seemingly different worlds begin sharing more than just living space. Amid Mumbai’s relentless pulse, they discover silent empathy, though personal histories and wounds test their delicate connection in a strange and tender unfolding – of selfhood, of survival, of unexpected kinship.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.