After the declaration of Bangladeshi independence, the war of liberation begins. West Pakistani troops detain Captain Asad and a soldier but Asad escapes from the local prison. West Pakistani troops searching for Asad arrive at his house with Razakar Daliluddin and snatch his sister's friend Rikta from his mother. Asad returns home and learns everything from his mother. Asad joins with Major Hassan and they conduct a military operation to liberate his village and rescue the tortured Rikta from West Pakistani troops. They win the battle. For nine months Asad fights with the freedom fighters and liberate Bangladesh from West Pakistan, undergoing for many hardships.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Season three of Netflix’s "You" has finally made its comeback! Was it worth the wait? Well…I would not say so. It felt like a bit of a chore to get through. But, as I am somewhat of a completionist, I eventually saw the season through to the end.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
