“Madeline’s Madeline” and the Exploitation of Actresses
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.

Sentaro (Raizo Ichikawa) from Ipponmatsu sets out to commit evil and gain dignity, but his good-natured nature does not allow him to do anything bad. Along the way, Sentaro saves a young woman named Okimi (Yuko Miki) from a bad womanizer and meets a Yakuza named Katsugoro (Yoshie Mizutani). He then visits Katsugoro boss Kanjiro Inariyama (Ganjiro Nakamura II) to train to be a yakuza, but to his surprise discovers that Katsugoro is Kanjiro's only daughter, Okatsu. He also finds out that the young yakuza working in Kanjiro's house is his younger brother Hanji (Yukio Hashi). Then the Shigezo family, who had been annoying Kanjiro for a long time, set fire to his gambling hall!
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.