Pro-Capitalism and other Antiquated Ideas on Court TV
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.

Son Shine, follows the story of 12 year old Hakeem Brown on the heels of his thirteenth birthday. Known in his neighborhood as the good kid, Hakeem is a honor student and an obedient son. However, things begin to change for Hakeem as he becomes aware of the political climate in his South Los Angeles Neighborhood during the announcement of the Rodney King verdict. Watching his neighborhood erupt into flames from his bedroom window, Hakeem disobeys his parents by joining the chaos of the riots. Now face to face with the realities of the uprising, Hakeem has to make the decision to be a part of the solution or to become a part of the problem.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
Lin-Manuel Miranda’s 'Vivo' is a children's animated musical rich in Hispanic culture! The story follows a kinkajou as he delivers a love song for a friend.