Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early twentieth century. Becoming more and more obsessed with her, by self-hypnosis he manages to travel back in time—where he meets her.
Jeannot Szwarc
Director
Christopher Reeve
Richard Collier
Jane Seymour
Elise McKenna
Christopher Plummer
William Fawcett 'W.F.' Robinson
Teresa Wright
Laura Roberts
Bill Erwin
Arthur Biehl
George Voskovec
Dr. Gerald Finney
Susan French
Older Elise
John Alvin
Arthur's Father
Eddra Gale
Genevieve
Audrey Bennett
Richard's Date [1972]
William H. Macy
Critic [1972]
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.