'Brother' Fearlessly Tackles All Aspects of the Immigrant Experience
'Brother' is a gripping family drama with dazzling performances all around.

Let us imagine isolation, fear, almost generic fear, and ancient, pervasive, self-generated. This fear becomes a system. The little man, forced, struggled to maintain his minimal right, the right to survive. But today, this crushed, squeezed, almost destroyed little man stands on the border, the one that separates— or unites—the old system and the new, the world of competition, where survival is precisely through profitability, profit. Then the little man becomes the hero, the model, the hero of this almost demonological thriller.
'Brother' is a gripping family drama with dazzling performances all around.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.