We Don’t Need Another Hero: The Bonkers Post-Apocalypse of “Beyond Thunderdome”
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.

Issa, a 9-year-old Gujarati immigrant, has recently arrived to Mexico City with her father Rahul who encounters an opportunity to act in a local television commercial looking for an 'exotic' look.
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Ant-Man is a 2015 live action film based on the Marvel Comics characters of the same comics series, including Scott Lang and Hank Pym, along with others.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.