‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

Appropriated from one of fundamentalist comic book artist Jack Chick’s short “Chick tracts” designed to illustrate Christian doctrine, a young boy in the city is led astray by an older friend who disparages a sidewalk sermonizer.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
This Comedy-Drama set in Nazi Germany, shows a young boy, Jojo who wants to be Hitler's personal guard and even conjures up Hitler to be his imaginary friend. His nationalism and prejudices of Jews change when he discovers a Jewish girl hiding in his attic.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)