Zezé is an eight-year-old boy who lives with his grandmother and suffers the drama of not having known his father. Amanda, Zezé's mother, is a beautiful but disillusioned young woman. She tells her son that his father is constantly traveling, trying to hide her own pain. Father's Day arrives and, at school, the teacher is preparing a party. Zezé, humiliated in front of his classmates, promises that he will bring his father on the day of the celebration. Zezé begs his grandmother to show him at least one photograph of his father. The old woman mistakenly gives him a photo of the singer Tony Marques, her daughter's former boyfriend. Zezé sets off to find her supposed father and ends up getting disastrously involved in the singer's life.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
'Brother' is a gripping family drama with dazzling performances all around.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
