
Classmates Laaj (Waheeda Rehman) and Shyam elope to Bombay with Laaj's necklace, which they hope to pawn to pay for their travels. On the train, a crafty journalist named Pran (Dev Anand) overhears the lovers' plan and follows them in search of a story. When Shyam snatches the necklace and runs off, it's Pran to the rescue. What follows is a song-filled caper of intrigue, adventure and romance.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.