Readings from the poets Byron, Keats, Brontë, Tennyson, Coleridge and songs from the dark repertoire of the singer Nico with portraits from the films of Philippe Garrel circa 1975 and Andy Warhol’s The Chelsea Girls and swirling electronic music from Ash Ra Tempel and new electric guitar sound track by James Creed and tracks to the songs by Graham Dowdall aka Gagarin and ex of The Faction with new images of the River Thames put together in an elegy on iconicity, vocality, finitude and solitude.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
