A Tragic Antihero: Judy
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.

Jodie Baxter is a Captain returned home from Afghanistan after being injured in a rigged booby trap that has left her scarred both physically and on a deep psychological level. She struggles to reconnect with her husband on a sexual and emotional accord and begins to realise the distance between herself and her child as her daughter hides pivotal moments of puberty that a mother should be there to support. In the middle of moving out of their Service Family Accommodation, Jodie escapes to her one place of solace, a hotel where she resides to be free and remember the past. It is there she notices and becomes obsessed with a couple, an abusive older man and a young prostitute who he humiliates and debases. Following them back to their room, Jodie enters into the situation and it is through an extreme act of violence, lust and in her eyes 'protection' she has a revelation concerning what she has experienced and what has been haunting her deep within her cognisance.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
Paris is Burning elevated drag and ballroom into the public consciousness and permanently impacted LGBT culture. However, the performers featured in the documentary didn't reap the rewards of their visibility.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
“There’s always something you can do…to make people feel like they’re welcome”
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.