
While playing cards, Col. Francis Fielding is unjustly accused of cheating by the Earl of St. Albans. The charges are considered so serious in that strata of society that Fielding is disowned by his parents and held in contempt by "proper" society. Fleeing to Paris, Fielding marries and fathers a baby daughter he names Leonore. His wife soon dies and he is forced to raise the girl on his own, alone and broke. He soon dies, and Leonore is adopted by his sister Lady Mountstephen, but it's not much of an improvement: the "lady" hates Leonore, treats her badly and finally disowns her. Things look grim for Leonore until Lord Fitzmaurice loans her a sum of money. Unfortunately, that deed arouses the anger of the wildly jealous Lady Norton, who is secretly married to him. Complications ensue.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
This article discusses the classic and timeless franchise, The Smurfs.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.