‘Moxie!’- Amy Poehler’s Attempt at Feminist Film
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.

When Denny Mclaren is called to the scene of the crime of an apparent homicide, he finds a book bound in human flesh which has the name of the victim and others who has died before him. Denny takes the book as evidence until his name is written in the book. Denny puts everything together to discover that the book he has is the Necronomicon.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.