Revisiting ‘Shaft’ in 2019: The Father-Son Comedy That Cops Out
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.

Within the fading echoes of their once-intimate bond, a long-time married couple parts ways with the familiar comforts of their home and the memories it holds, into the final chapter of life.
The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
One of the reasons that people with albinism have a difficult time being seen and represented in media is probably because there is a small percentage of them.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.