'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

School cleaner Nozomi Haruta was happy. She was supposed to marry her partner, her beloved, her soulmate, the handsome teacher Chitose Yokomizo, but when he secretly marries someone else, he ruins her dreams and breaks her heart. Also, maybe her mind? Seized by desperation, Nozomi photobombs his big wedding photograph by replacing the bride, steals the camera, and makes a run for it! Headlong into the path of a courier carrying Castella cakes! When she wakes up, she sees Chitose hovering over her, only it’s not him, but a being who calls himself Castella (as in the cake). For the next two weeks (the expiration date for the cakes), he will be Nozomi’s cake-based companion and help her get over her despair.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.