Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

The deadliest weapon on the battlefield is neither the bullet nor the gun-it's the lone sniper. Through the scopes of the world's most precise marksmen SNIPER: INSIDE THE CROSSHAIRS takes you on a journey to discover the science and psychology behind the most extreme shots in military history. Deconstruct well-known missions from Vietnam to Iraq to Afghanistan by hearing firsthand recollections from the soldiers who were there and whose fingers pulled the triggers. Finally meet Canadian sniper Rob Furlong who for the first time on American television tells the story of his history-making shot in Afghanistan-striking a Taliban fighter from 1.5 miles away. Ballistics tactics weaponry stalking--this feature-length special examines these critical components in vivid detail and uses compelling interviews cinematic reenactments CGI technology and modern-day shooting demonstrations to put you squarely inside the crosshairs.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.