Garden of an Angry God: when the nightmare of guilt crawls out to the daily life
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.

A rough-hewn Mennonite witnesses a meteor rip apart the skies on his farm, leaving behind a smoking crater filled with glowing corn husks. A lesbian couple unknowingly distributes the corn to un-suspecting Brooklynites through their food truck. An FDA agent with FBI dreams tries to track down a mysterious pod he’s only seen on Instagram. A woman in the midst of a late-20’s crisis is cleaning toilets when she starts noticing her co-workers changing. Each of them has a key to the puzzle. But can they figure out a way to stop an alien invasion before it’s too late? Or will they, too, succumb to the pods’ alluring glow? And how will they tell the difference between a Snatcher and a regular Brooklyn weirdo?
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time