Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

The parents (Horace B. Carpenter)(Vane Calvert) of Smokey Smith (Bob Steele) are murdered while traveling with a wagon train that is attacked by outlaws. Smokey swears revenge but his only possible chance lies in finding the member of the border-gang who took a ring from his father's finger. The sheriff (Earl Dwire) of a nearby border town makes Smokey a deputy after the latter saves his life when outlaws attack a stagecoach the sheriff is escorting. This enables Smokey to find the hideout of the gang that killed his parents, and he, posing as a wanted man, is able to join the gang. He soon incurs the wrath of gang-member Kent(Warner Richmond), who is jealous over the attention that Bess Bart (Mary Kornman, step-daughter of the gang-leader, "Blaze" Bart (George 'Gabby' Hayes), is showing Smokey.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
This horror, action, and fantasy movie released on Disney+ has a symbolic aspect.