Polarizing Polar: An Exploitation Film For the Modern Viewer
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.

The young and lonesome 18year old Mercedes visits the legendary techno festival "Heimat" for the first time in her life. She is longingly hoping for experiences of proximity, joy and intensity. Instead, she finds herself confronted with the abysses of this alleged perfect world. In the end, Mercedes sees no way out without committing an act of violence.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
Unrelentingly funny, highly entertaining, and ridiculously absurd, My Movie Starring Paul Dano is, according to its creator, Joe Bartone, a tribute to the willful ignorance of independent filmmaking found in the late '70s in New York City. Developed through open discussions with the cast at the reading table, the mockumentary follows a delusional and fame-starved indie director, Herman Rumowicz, through the process of making his very first feature movie starring Paul Dano.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Sweetheart provides a stark example of self-isolation taken to its extreme.
The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.