Luz de 'Cuatro Lunas'
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.

Friends and ex teammates Larry Warbasse and Conor Dunne head out on their second slow pro tour. This time they’re off to the Crete; the largest of the Greek Islands. The adventure follows the pair as they ride a lap of the island that’s considered to be the oldest inhabited part of Europe, and the birthplace of Greek mythology. Cycling over the highest roads, hitting the remote hairpin bends, and seeing towering gorges - this is an island with jaw-dropping climbs and astonishing views. Over the 5 days, the friends face unpredictable weather, taste the delicacies of Greek cuisine, and encounter some local wildlife: all whilst trying not to get lost in the vast landscape of the Cretan Isle.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
If you're missing the freedom of travel, explore the world via these international films that put their gorgeous settings in the spotlight.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
For those tranquil houses with white fences, what is happening behind every closed door?