"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

A fixed camera turned on its side records Nauman repeating for nearly an hour a laborious sequence of body movements inspired by passages in works by Samuel Beckett that describe similarly repetitive and meaningless activities. Hands clasped behind his back, he kicks one leg up at a right angle to his body, pivots forty-five degrees, falls forward hard with a thumping noise, extends the rear leg again at a right angle behind, and begins the sequence again. As in many of his fixed-camera film and video works, parts of Nauman's body disappear from the frame as he moves close to the camera; occasionally, he walks off-screen completely while the sound of his footsteps continues on the sound tracks.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
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This Agni Kai looks cool and is funny as well!
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
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