“Omaha”: Innocence Broken by Economic Injustice
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.

A quirky yet insecure 17-year-old girl named Maria V., who’s raised in a Catholic family and school, always masturbates before she goes to sleep. One day, her school arranges a church camp, in which requires all of its students to pray and spend the night together in a secluded place. A few days before the camp, Maria V. finds out that she has to share her room with a fellow student, Maria P. - the smartest, most beautiful and religious girl in her school. To save her pride, Maria V. struggles to fall asleep that night without having to masturbate.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
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