“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

Slaughter Studios has a legendary reputation as the place where a slew of classic low-budget horror movies were made. Long since abandoned and now in ruins, a group of aspiring filmmakers led by director Steve decide to break into Slaughter Studios so they can shoot one last B-grade creature feature on the premises before it meets the wrecking ball. However, things go awry when Slaughter Studios proves to be the stalking grounds of a vicious psycho.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
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"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
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