The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Set in 2001, an emergency cabinet has been brought together to discuss the future of the United Kingdom, after the terror attacks that hit the capitals. Some want war some fight against it. When the leader of the terrorist group named Trojan breaks into the cabinet room, questions are raised, and lives are lost but the ones who are left a choice.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
Women have always been integral to science fiction, and these amazing women prove why.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?