Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Don your best platforms and sequinned hat and join Noddy, Jim, Dave and Don aka Slade for a trip down memory lane as we uncover some of Slade's finest appearances from the vaults of the BBC archive, introduced by none other than Noddy Holder himself.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.