Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Skylark poster

Skylark (1941)

As her fifth wedding anniversary approaches, a woman realizes that she is fed up with always coming in second to her husband's advertising business. Just at the moment when she is trying to decide what to do, she meets a handsome attorney, and their innocent flirtation begins to turn into something a bit more serious.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


As her fifth wedding anniversary approaches, a woman realizes that she is fed up with always coming in second to her husband's advertising business. Just at the moment when she is trying to decide what to do, she meets a handsome attorney, and their innocent flirtation begins to turn into something a bit more serious.

Rating:
Genre:Comedy, Romance
Directed By:Mark Sandrich
Written By:Allan Scott, Zion Myers
In Theaters:11/21/1941
Box Office:

Runtime:92 minutes
Studio:Paramount Pictures

Articles You May Like


Short Film Review “Marque Dos” A quick, charmingly humorous, but dramatically potent view of holding fast to dual identities and embracing your heritage

Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?

Kirk Fernwood

"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger