Inuit Girls Hunt Alien Monsters in ‘Slash/Back’
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.

Welcome to the High Academy of Guardian Angels! Malachiana (Eliana Tidhar) is a student at the High Academy of Guardian Angels and has one dream: to become a guardian angel for a family. But – she is the only one in the entire class who does not receive the guardian angel wings at the festive ceremony, where the fiery Angels duo (Static and Ben El Tavori) perform. The director of the Academy of Guardian Angels (Israel Katorza) offers her a task that, if she completes, will make her big dream come true and she'll be a family angel: enter the life of the Osher family, a family that includes a father (Ran Danker) and his five children (Noa Kirel, Bar Miniali, Shahar Tabuch, Kim Or Azoulay and Eden Elena) who have still not recovered from their mother's death ten years ago. All they have left of her is the soundtrack of their love story – the great songs of the legendary Zehava Ben, during whose performance Ran proposed marriage to the mother years ago.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.