5 Cerebral Gore Films Featuring Women: When Slasher Meets Women's Horror
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.

17-year-old Skjold and 18-year-old Isabel are no longer together, but they will always be each other's first love. The film throws us into a whirlwind of conversations, quarrels and happy moments during a long summer in Copenhagen. A vulnerable and confusing time for the two of them, as they try to define who they are, both as a couple and as individuals. They are entangled in romantic feelings and a strong friendship, and find it hard to let each other go, so to break with her feelings, Isabel decides to move to Barcelona on her own. But will their new freedom give Skjold and Isabel the answers to who they are? Emil Næsby Hansen is the fly on the wall, who effortlessly and without interfering is there with the couple during their ups and downs, managing to capture all the emotional nuances. From romantic love and unbearable loneliness to poetic freedom, with the Danish summer as a moody backdrop.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
From being unfairly outed, to going after the life you want for yourself, these songs from 'Frozen' perfectly capture the journey out of the closet.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
Do not trust Rotten Tomatoes. That is what I learned after watching Eternals. Critics currently rate it a 48%, but it's an amazing character-focused Marvel movie with positive diverse representation.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.