On a hot summer day, Agnes and Elena are lying on an empty beach, where the loose sand, the water and the wind prevail. Gradually, the sharp sea breeze exposes the colder sides of their usually warm bond. In a silent battle, the boundaries between tenderness and aggression as well as jealousy and admiration fade, while nature and emotion merge symbiotically. The two young women play a mute game of attraction and repulsion, in this stylish black-and-white debut.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
When Eddie Palmer is released from prison he returns home and he meets Sam, soon becoming his primary caregiver.
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.
