The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Dong-wook is on his first day of work and finds out there's only the female owner and the female team manager in the office. The team manager Mi-ran claim everyone's gone on vacation and shows Dong-wook his seat. However, Dong-wook is surprised at the way she approaches him. They secretly have sex in the office. Later, he has a talk with Eun-min the owner and she tells him to be good to her if he wants to keep working there. Then she asks him for a massage. Now, Mi-ran and Eun-min start to bully him in the most peculiar way.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
The Noel Diary is about a man who unlocks an old diary containing secrets of the past.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.