A Haunting Portrayal of Motherhood in "The Lost Daughter"
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.

In March 2010 Punk Legends The Skids reformed for the last time to play the famous Alhambra Theatre in Scotland. The gig was the culmination of a months retrospective celebrating the music, films and words of Skids front-man Richard Jobson. A sold out gig was caught on film by the team Jobson uses to shoot his movies. The result is a high energy performance that captures everything that was great about one of the best loved bands to come out of the Punk/New wave era. The film is inter-cut with an interview with Jobson on stage by crime novelist Ian Rankin.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".