The Phoenician Scheme: A Man of No Identity
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Ska' ru' me' på fest?
"Wanna Come To a Party?" - Four young people, two men, two women, make a party in an empty floor at Karlaplan in Stockholm.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
"Wanna Come To a Party?" - Four young people, two men, two women, make a party in an empty floor at Karlaplan in Stockholm.
Rating:
Genre:Drama
Written By:Claes Fellbom
In Theaters:
Box Office:
Runtime:98 minutes
Studio:Cinex Films
Articles You May Like
Revisiting the Holy Trinity of Aroace Disney Princesses for Pride Month
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.
The Lighthouse Review: An Unnerving, Subtle Horror
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
When ‘This is Us’ Let Me Down, ‘A Million Little Things’ Was There - TV Review
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.
"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
With the Rise Of #FreeBritney, It's Time to Re-Examine "Crossroads"
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.