It's summertime. The students Allan and Erik returns to their home town. 19-year old Allan is in love with 17-year old Anna-Lena. She rejects his clumsy attempts of telling her, but that's because she is uncertain of her own feelings. The Norwegian singer Lydia Hennert has an accident with her car and she is slightly injured. Allan's father is a doctor and Lydia spends a few days with them. Allan falls in love with her instead, she is a "real" woman and not a girl. But this makes Anna-Lena jealous.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
This is a movie that combines a ghost story, revenge tale, and serial killer obsession into a cinematic experience that uses your fears against you.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
