Detective Lieutenant Boruvka (Lubomír Lipský) is called to the State Scientific Library to investigate the loss of a precious manuscript, the Infernal Psalter of the Occult Sciences by Master Peregrinus from the eleventh century, written in a secret script which has only recently been deciphered by senior lecturer Zajíc (Josef Chvalina). Chaos is reigning in the labyrinth of passages and halls of the former monastery where the library is housed. In order to save space the director of the library has introduced a peculiar system. The books are arranged in the bookcases according to height and six girls dressed in black, the library assistants, are quite happy to cut volumes down to size in case of need. Boruvka refuses the case, since he is specialist in murders. He has to return to the investigation, however, when senior lecturer Zajíc disappears.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
